Showing posts with label Story Lab. Show all posts
Showing posts with label Story Lab. Show all posts

Tuesday, November 27, 2018

StoryLab - Crash Course Mythology (Creation Stories)

For the Story Lab assignment I chose to watch another Crash Course Mythology Unit on Creation Stories. And I know a bunch of different creation stories, some from this class and some from other classes or independent research, but I always like them. They're either poignantly symbolic or they're hilariously random. Either way, what fun.

So the first video is about creation ex nilium, creation from nothing. Obviously, everyone is familiar with the story of Genesis wherein God either created everything from nothing by hand or by simply speaking it into existence. There were other stories, including a Kono story where in Death creates  his home and ultimately the world out of a sea of mud and a few taunting words from a fellow god. The Mayan creation story also begins with a vast ocean, as does the Egyptian myth. The Mayan gods--Maker and Feathered Serpent--speak the world into existence (though they have to try four times to get it right). What I find most interesting is the idea of The Big Bang as a creation myth, and the fact that the Theory of Evolution also supposes that life all began from a vast body of water. I think this just kind of goes to show that all roads lead to Rome, whether you get there by folklore or science.

In the second video, "Water, Seed, Egg" he talks about how in many myths, there is not only the idea of "seed"--like, in the Biblical sense--creating the world, but also other fluids from gods, like blood and vomit. He also mentions how there is a widespread idea of the earth coming from an "egg" of some sort. In another myth, he talks about how a world-parent is sometimes present. For example, in one Chinese myth, the earth is within an egg and so are all the dualities of existence--Yin and Yang. And balance, the earth and the god are all one--and when the god died, the void of his power was filled by sin and pain. I think that's a cool concept, that the physical and the metaphorical all exist as one and that good and bad are neither rewards nor punishments, just things that are. 

The third video is about "Earth Mothers"--which is a very common trope: Mother Earth. Mother Earth makes sense, because the earth nourishes us like mothers do, and creates life--like mothers. In some cases, father's conceive gods and the earth alone, but more often Father and Mother must be present. Like in Hesiod's Theogony. There was chaos, and then there was Gaia. And she was the mother of everything--gods, titans, cyclopes, and Uranus--the Sky Father. What is so interesting to me is the "Succession Myth"--that fear in the Greek pantheon where the sons kill and overthrow their fathers. I think that says more about men than it does about mothers. I loved the Norse creation myth, it's god everything: succession myth, "Adam and Eve," dwarves. Honestly, the Norse pantheon is so underrated. 

In the final video, "Social Orders" describes how myths explain (or try to explain) our relationships. It's as annoying as it is well-known that the Bible positions women lower on the totem pole than men--which sucks, but isn't exclusive to Judeo-Christian myths. For example, God creating Eve from Adam's rib and allows him to name Even "woman" as if she is closer to a beast than a human. Then she is later cursed with pain in childbirth and told to be subservient to her husband--basically justification for sexism. Men's punishment is basically just working and dying, and it is because a man listened to a women. More misogyny in Hesiod's theogony via Pandora and her box. But the Greeks were famously misogynist, and so were tons of other societies, like Japan. I think it's cool that a lot of myths talk about how humans or one event messes up the good life for humanity, but it always puts the blame on women. We just can't catch a break.
"Pandora's Box" by Unknown Artist via Wikimedia Commons


Monday, November 5, 2018

Story Lab - Crash Course Mythology (Gods and Goddesses)

I watched the four Crash Course Mythology videos for this weeks Story Lab. They were about different god/goddess archetypes, and more specific stories the showcase these archetypes. 

The first video talked about the goddess archetype, most notably, the Triple Goddess. One way that the Triple Goddess is described is as the Virgin, the Mother, and Crone. What I thought was so interesting was how this narrow characterization is repeated in modern society: The Mother, the Virgin, the B*tch, and the Whore. Anyway, a better characterization of the Triple Goddess is Life, Death, and Rebirth. For example, Gaia is the Earth Mother, symbolizing life; Persephone and Isis are 'Queens of Death," associated with growth and decay, as well as fate and magic; and finally, nymphs and maidens who symbolize rebirth, sexuality, and creation. Goddesses are often complex and multifaceted. 

In the second video, this idea is expanded on with the somewhat-contrasting stories of Pele, the Hawaiian goddess of fire, and the White Buffalo Woman of the Lakota and Dakota tribes. Pele exhibits both death and destruction when she believes that her younger sister has stolen her man. She does this via the power of lava: she uses it to destroy both her ex-lover and her sister's tree friend, but it also provides Hawaii with fertile soil, and by the end of the story, both the tree groves and the lover are restored. The White Buffalo Woman also exhibits the power of life and death. When the two scouts encounter her, one tries to grope her and is killed instantly with a lightning bolt. But the other is reverent, and she later brings his people the sacred pipe, corn, and knowledge of turnips--making her a culture hero. 

Male archetypes are covered in the third video, and we learn that there are six well-known archtypes for male gods. The Father/Son, a dynamic which is probably best exhibited by the succession myth of Uranus, then Kronus, then Zeus: each son usurps his father, usually by violent means (i.e. castration). The King/Judge, which is obvious in the Greek and Egyptian pantheons, by Zeus--king of the gods or by Osiris, king of the Underworld who also acts as the judge of human souls. The Savior or Sage, who brings advice to humanity about how to live a virtuous life, or saves humanity with knowledge or sacrifice--like Prometheus bringing fire to humanity or Jesus dying for the sins of men. There are also Shamans, who are sort of like sages. They communicate, operate, or solve problems in or between the spirit worlds and Earth. Hermes or Thoth are examples of Shamans. Tricksters, like Loki, remind us that the world is chaotic; while Lords of Destruction, like Hades have conflicting connotations. There is both the concept of death and excess, for example, 'plutocrats'--meaning greedy bastards--comes from the Latin name for Hades: Pluto. 

The Dying God was also discussed. Some 'dying god' stories are well known, like Jesus or Odin. Sometimes a god's death is an accident, like Adonis. Venus, who memorialized him as the anemone flower, reminds us of the cyclical nature of life with the flower's seasonal death and renewal. Another reason for a god to die is for the sake of humankind. For example, the Corn Mother of Native American mythology, asked her husband to kill her and have her sons drag her body around then bury her bones to give the First People corn, tobacco, and to allow the game to replenish. 
"Odin's Last Words to Baldr" by W. G. Collingwood
via Wikipedia

Wednesday, September 26, 2018

Story Lab - TV Tropes

I read up on the different tropes in tv and other genres. I really did find a lot of familiar set-ups. A trope is a recurring theme, motif, or plot device. Some of my favorites are:
1. Real Event, Fictional Cause
2. Discount Lesbians
3. Screw Your Ultimatum! 
I also really liked some of the tropes that fans proposed be added to the data base, like "when a non-human character fails to impersonate humanity because they don't understand human culture." Like Starfire from Teen Titans (the original, not whatever the reboot is), or the Minions, from Despicable Me. I also liked the Fan-Preferred Couple trope, because immediately I could think of several examples where fans preferred one pairing over what was the official/endgame pairing. Like That 70's Show, where Jackie and Hyde obviously should have ended up together; or the more militant Sherlock fandom, which had some members actually sent death threats to Amanda Abbington for playing Mary Watson, because they really wanted Sherlock and John to be together.

But a lot of the tropes I sort of recognized instantly. I love a good "Real Event, Fictional Cause" story. I don't really know what separates that from a mythological origin story other than the seriousness with which the story is taken. I mean, if you wanted, you could consider the moon origin stories from the Anthology as "Real Event, Fictional Cause" stories. Except they are deeply ingrained in culture, rather than sitting on the surface of it like TV characters do. For example, the Doctor from Doctor Who supposedly inspired some of Shakespeare's writing, was responsible of the brief disappearance of Agatha Christie, and invented Yorkshire Pudding (which I have personally never had but it looks pretty simple, I don't know what would be gained by taking credit for it.)
"Yorkshire Pudding"
Sam Greenhalgh via Flickr

I also think the threat on "Discount Lesbians" was pretty accurate and kind of funny. It makes a good point about "othering" homosexual relationships by making sure that one or more of the participants has a very obvious difference in appearance from the audience. Take Doctor Who as an example (again). He has a long-time friend named Vastra, who is a Silurian (a lizard-person from the dawn of time). She's living in Victorian England and is married to a human named Jenny, who pretends to be her maid to avoid that era's homophobia. Jenny is obviously super gay, because not only is she married to a woman but she's married to a lizard woman with a six-foot long retractable tongue ( 😉). 

The third trope that I recognized and instantly cracked up was the "Screw Your Ultimatum!" page. I loved that the site broke it down into the 2 possible responses that the protagonist always seems to choose from. The first is to say something to the effect of one of the following: "Shut up," "Get It Over With," or "F*ck You." The site suggests 'bonus points' for a counter ultimatum. The second option is that the protagonist actually chooses one of the options without having to think about it, and/or chooses a third option that isn't mentioned. My favorite example of "Get It Over With" from the first option is from Supernatural, (spoilers ahead) when in Season 5, Sam has started the apocalypse and gets killed by some (understandably) angry hunters. Even though they're wearing masks, Dean--Sam's big brother--figures out who they are. To keep Dean from hunting them down in revenge, they decide to kill him too. But the Winchester brothers are known for never staying dead, so Dean says my favorite line in the whole series: "Go ahead, Roy, do it. But I'm gonna warn you. When I come back, I'm gonna be pissed." 

Honestly, iconic.